Sunday, September 25, 2011
West African Wisdom: Adinkra Symbols & Meanings
Adinkra are visual symbols, originally created by the Akan of Ghana and the Gyaman of Cote d'Ivoire in West Africa, that represent conceptsor aphorisms. Adinkra are used extensively in fabrics, pottery, logos and advertising. They are incorporated into walls and other architectural features. Fabric adinkra are often made by woodcut sign writing as well as screen printing. Adinkra symbols appear on some traditional akan gold weights. The symbols are also carved on stools for domestic and ritual use. Tourism has led to new departures in the use of the symbols in such items as T shirts and jewelry.
The symbols have a decorative function but also represent objects that encapsulate evocative messages that convey traditional wisdom, aspects of life or the environment. There are many different symbols with distinct meanings, often linked with proverbs. In the words of Anthony Appiah, they were one of the means in a pre-litrate society for "supporting the transmission of a complex and nuanced body of practice and belief".[1]
meanings
meanings
Thursday, September 22, 2011
Friday, September 9, 2011
makeup ideas
#5 is all about beauty and the day. thinking of ways to make the bride become part of the day, as if camouflaged into it.
Thursday, September 8, 2011
wedding vails
An occasion on which a Western woman is likely to wear a veil is on her white wedding day. Brides once used to wear their hair flowing down their back at their wedding to symbolise their virginity. Veils covering the hair and face became a symbolic reference to the virginity of the bride thereafter. Often in modern weddings, the ceremony of removing a face veil after the wedding to present the groom with a virgin bride is skipped, since many couples have already entered into conjugal relations prior to their wedding day - the bride either wears no face veil, or it is lifted before the ceremony begins, but this is not always the case. Further, if a bride is a virgin, she often wears the face veil through the ceremony, and then either her father lifts the veil, presenting the bride to her groom, or the groom lifts the veil to symbolically consummate the marriage, which will later become literal. Brides who are virgins may make use of the veil to symbolize and emphasize their status of purity during their wedding however, and if they do, the lifting of the veil may be ceremonially recognized as the crowning event of the wedding, when the beauty of the bride is finally revealed to the groom and the guests.
Tuesday, September 6, 2011
Josh Thomas on CAN OF WORMS
would you ever sign a pre-nuptual aggreement? "yes".
you don't think it's the death of romance? "i think marriage is the death of romance".
audience: 52% NO
third questionnaire answered
"[A marriage] is an individual experience. Often it is a lie. Too many enter into an impossible contract; ensuring failure, betrayal, hurt. Marriage SHOULD be about LOVE in its highest form."
"I don't want to get married because I'm frightened of feeling like I've forgone other things in my life in favour of giving everything to my partner, especially if i end up a used and discarded vessel for childbearing. that idea terrifies me. I do want to get married too though; for the hopeful promise of sharing my life with someone, for the promise of growing up and growing old in love, for the possibility of making a family and knowing how beautiful and terrifying it feels to have so much to lose."
"HONESTY is fundamental. True love cannot exist without it. Many choose evasion and lies because they are often easier than truth. but for me, i believe TRUTH is the key to freedom and therefore also to LOVE."
"Hollywood constructs the hopeful ["get the man, keep the man, marry the man"] myth but also simultaneously debunks it with it's portrayal of the seemingly inevitable "man cheats, man leaves, woman weeps" tale. In some ways, having opposition constructed only serves to add even greater /more realistic romance to the initial construct, enhancing it's value through demonstration of its illusory nature."
"I don't want to get married because I'm frightened of feeling like I've forgone other things in my life in favour of giving everything to my partner, especially if i end up a used and discarded vessel for childbearing. that idea terrifies me. I do want to get married too though; for the hopeful promise of sharing my life with someone, for the promise of growing up and growing old in love, for the possibility of making a family and knowing how beautiful and terrifying it feels to have so much to lose."
"HONESTY is fundamental. True love cannot exist without it. Many choose evasion and lies because they are often easier than truth. but for me, i believe TRUTH is the key to freedom and therefore also to LOVE."
"Hollywood constructs the hopeful ["get the man, keep the man, marry the man"] myth but also simultaneously debunks it with it's portrayal of the seemingly inevitable "man cheats, man leaves, woman weeps" tale. In some ways, having opposition constructed only serves to add even greater /more realistic romance to the initial construct, enhancing it's value through demonstration of its illusory nature."
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