Courtesy of: SnapKnot
Tuesday, July 1, 2014
Saturday, August 25, 2012
Monday, February 6, 2012
Thursday, January 19, 2012
Tuesday, January 10, 2012
Sunday, January 8, 2012
Proverbs of Hendyng, a manuscript from some time before 1325, includes the advice:
Ȝeue þi cunte to cunnig and craue affetir wedding.
(Give your cunt wisely and make (your) demands after the wedding.)
Friday, December 16, 2011
EXERCISE 2 - Invasion
In this exercise you are asked to invade a domestic space with elements that are foreign to it. You will
build up a quantity of materials to develop an installation that aims at subverting the use of a familiar
environment.
EXERCISE 1 - Obstruction
In this exercise you are asked to choose a passage or a threshold within a domestic or private space in which you will set up an installation that operates as an obstruction. Installations can lead you to redefine known spaces and generate fresh possibilities for how they are used and experienced.
Saturday, December 10, 2011
Tuesday, December 6, 2011
“Paradise under the Ceiling” envisages the establishment of a paradisiacal world in one’s own room. And paradise not in a figurative sense, but in the most literal, real sense of that word. Usual theories and notions of space assign it to some worlds that are remote in time and place, inaccessible to our real presence, worlds about which we can only dream and guess, but in reality it is impossible to see them: they exist too high and far away, if they exist at all.(Kabakov, E & I 1998, 24)
Saturday, December 3, 2011
notes from unit Study Guide
Working method: How to develop your ideas
1. Primary Research: Jot down ideas and find relevant artists and artwork. Read, observe, take notes, take photos, brainstorm, and make preliminary sketches. Record your initial ideas and thoughts in your visual diary.
2. Applied Research: Make detailed sketches, make maquettes (small scale models), sample materials, take
measurements, experiment, explore and visually investigate your ideas through materials and processes. Document the outcomes in your visual diary.
3. Idea Development: Based on steps 1 and 2, re-assess your ideas. Use your visual diary to note possible variations to form, size, or materials or other ways to enhance the work. If necessary repeat either of the first
two steps again.
4. Resolution: Construct the work and document it. Your final resolve for the project could be a starting point to be developed further at a later time.
Documentation of your work
Context – How does the environment in which you place your work effect its meaning? For example
an object will read differently when placed on sand than on a concrete floor. If what you produce
does not need to be contextualised (i.e. it requires a white space) choose/create an environment free of
visual interference.
Format – choose a medium appropriate for the documentation of your work (e.g. video, slide,
photographs, digital media, etc.). Consider various possibilities, as your first choice of media may not
necessarily be the most effective. For example video as the immediate choice for documenting a
performance may not necessarily be as effective as a series of still photographs.
Editing - your documentation should clearly describe your work. Think about the editing process and
do not submit all your documentation; if two images give the same information about the work then
only include one.
Monday, November 28, 2011
Storm in a teacup
Storm in a teacup (in British English), tempest in a teapot (in American English) is an idiom meaning a small event that has been exaggerated out of proportion.[1]
Both the American and British phrases are long preceded by Cicero's Latin "Excitabat enim fluctus in simpulo".[5] The phrase, translated literally, reads: "He was stirring up waves in a ladle".
Both the American and British phrases are long preceded by Cicero's Latin "Excitabat enim fluctus in simpulo".[5] The phrase, translated literally, reads: "He was stirring up waves in a ladle".
Saturday, November 26, 2011
VSW26 OBJECTS & IDEAS: installation
“Installation art changes the way we view art by
shifting the traditional relationship between viewer, artwork and context;
rather than positioning the viewer and space as passive in relation to the art object. Installation Art creates a dynamic interaction between the three elements.”
Wednesday, November 23, 2011
Narrator: Hector was not forgiven. Not yet. Not inside her. But Aisha would forgive Hector, as Hector would forgive her. One day. She knew that.
Maybe that's what marriage was, at it's core it was negotiation. It was surrender.The Slap - Episode 7 Aisha
Saturday, November 12, 2011
Friday, November 11, 2011
To Be a Single Egyptian Woman: The Mindset of a Society
By Yomna El-Saeed
http://www.onislam.net/english/family/laying-foundations/marriage/454452-to-be-a-single-egyptian-woman.html
Tuesday, October 18, 2011
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